![]() ![]() You are no doubt talking about positive costs. In toronto the lab cost for printing are around 45 cents a foot. I would love to make new prints of some of the old stuff I found which came from some long gone companies but I would have to be a millionaire and nuts to do it since nobody would pay what it costs to redo them now. 35mm for this kind of film is too expensive now. ![]() Filmmac has some from the good old days but expect to pay over $600. As Scott said, some are still available in 35mm from a few places but many companies who made them no longer exists and the negatives are gone also. Since 16mm is still the best and cheapest form, they will only be available in 16mm from me. ![]() or more for a 10 minute clock which I know would not sell and I would be out alot of money since I know of nobody who would pay that kind of money for a print. If new prints were made in 35mm, I would have to charge $1000. Unfortunatly lab costs are out of this world and you pay by the foot. Do you still show them at your drive-in's in the US or do they belong to the 1950-1960's, gee. ![]() Who made the films, they all look like they are made by the same company. I love the 'Jumping hot-dog' intermission film. Of course, it would be nice to have a source for lab-new 35mm prints of stuff like the "talking Bic lighters" tags from the late '70s/early '80s.I have a bunch of these on 16mm only (I guess they were distributed to the non-theatrical market, too.), but only a few in 35mm. These aren't generally available in 16mm from the original distributors, so Derek is having reductions made for home use. Cinema Concepts in Atlanta also sells drive-in intermission reels and stuff like the "Snack Canyon" Coke trailer (a personal favorite of mine). Filmack in Chicago sells them (they're photoguarded by default if you don't want this, be sure to request a "non-photoguarded" print). You can still buy brand-new 35mm prints of some of the classic drive-in intermission reels from various places. or it would mean to use another projector within the show.įrom: Boston, MA. I do no longer have a working narrow gauge setup. Why not print on 35mm, as this would give me chance to enjoy those films. If you guys can help me locate some stuff, please let me know. I have saved many that were warping and vinegar. I have had a love of those old Drive-in intermission films for a long time and am always looking for stuff on 35mm that I don't have to buy,borrow, or trade to make new 16mm Negatives and preserve the quickly deteriorating original film elements. Topic: Long live the Drive-in intermission filmsįor those who have not seen my web site, please visit it. Long live the Drive-in intermission films My profile | my password | search | faq & rules | forum home Home Products Store Forum Warehouse Contact Us The enhanced audio files are available for upload if requested.Film-Tech Forum ARCHIVE: Long live the Drive-in intermission films In some cases the audio track was separated and remixed in an audio editor to enhance the sound. These clips are also louder than the originals. Magenta tinted films were especially difficult. I've adjusted the brightness/contrast, and color correction to the best of my ability. They have been carefully cropped to remove excess black frame while preserving as much of the actual image as possible. PLEASE NOTE: These clips have been modified from the originals. Most are color but there are a few black & whites because of their quality or uniqueness. This clip is from a compilation of drive-in intermission films found here on Internet Archives in the Drive-In Movie Ads section. Title: Intermission 2 (from Drive-In Movie Ads)ĭescription: Mix of animation, stop frame, narration and footage of snack bar food to remind viewers to stop by the drive-in refreshment stand. ![]()
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